? The 100 best romantic films of all-timeĬast: André Christian, Dorian Corey, Paris Duprée Written by Cath Clarke, Dave Calhoun, Tom Huddleston, Alim Kheraj, Guy Lodge, Ben Walters and Matthew Singer. To that end, we enlisted some LGBTQ+ cultural pioneers, as well as Time Out writers to assist in assembling a list of the greatest gay films ever made – and the results show that queer life is far from a monolith. But the strides of the last half-century or so deserve to be celebrated. Obviously, there are still many barriers left to breach, and much work to be done to achieve true equality in Hollywood. In 2022, we’ll see Billy Eichner’s Bros, the first romantic comedy penned by an openly gay man for a major studio, while the great Billy Porter will make his directorial debut with a story about a trans high school student. So, too, have the opportunities for queer stories written by and for the queer communities. Over the last few decades or so, though, the scope of LGBTQ+ experiences depicted on film has expanded greatly. Inasmuch as gay lives and issues were ever allowed to be addressed on screen without devolving into gross stereotypes, for much of the past century, the perspective was limited to that of white, cisgendered men. It is a strong subject and a potentially powerful film replete with the tenderness and brutality that those whom we love tend to thrust on us when pushed to the wall.Queer cinema has come a long way. Luckily, “Dear Dad” is strong enough to withstand extraneous attacks.
While such moments reveal beautifully written lines, well-delivered by under-used actors, a whole episode involving Shivum’s attempts to find a “cure” for his father’s homosexuality from a weird godman is so obtrusively out of step with the rest of the serene narrative that you wonder why any director would attempt to kill the impact of such an venturesome story with such tacky humour. When father and son take a break to visit the father’s parents - the affable mother (played by Indu Ramchandani) nursing a vegetable husband - tells Arvind Swamy, “I never thought I’d reach a stage in my life when just hearing your father fart is reassuring.” Arvind Swamy holds the film together. The film’s picaresque design and picturesque locales (well-shot by Mukesh G) has several heartwarming stopovers. His reaction when Nitin tells him that he is gay is partly incredulous (“But you’re married, with kids!”), and partly unaccepting.
(YouTube)Īman Uppal plays the character’s journey from insufferably self-obsessed to sensitive with plenty of conviction and pleasure.
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Dear Dad is mostly a road movie shot in and around Mussourie.
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Before the film ends, this reality TV brag-product becomes a more real and bearable entity. He is a reality television winner, strutting around like star in a world obsessed with illusions. Apart from the father and son, an interesting third protagonist enters the plot to stir up the simmering cauldron of the confessional. The fact that Arvind Swamy and young Himanshu Sharma play the father and son with pitch-perfect anguish, makes the director’s job so much easier.įor most of the 90-minute soul-searching excursion, the director gives his characters room to breathe easily. We are persuaded to enter their troubled, torn world with no room for moral evaluations. His characters do what they do, are what they are. The director refrains from throwing judgement values in our somewhat shocked faces. Read: I don’t expect people to know my name, says Arvind Swamy When the shocking life-changing revelation happens, all hell breaks loose. He takes off on a journey, both introspective and literal, with his teenaged son Shivum. The judiciously cast Arvind Swamy boldly goes where no Bollywood actor would venture. It’s the story of a happy successful seemingly functional family falling apart when the patriarch Nitin Swaminathan decides to come out of the closet. This road movie, shot in scenic mountainous spots in and around Mussourie, opens a can of worms. It’s impossible to imagine a debutant director going so far down the road of unorthodox sexuality when he knows the pitfalls ahead. Tanuj Bhramar has pushed the envelope out of the closet as far as possible. It takes a whole lot of guts to make a film on alternate sexuality in India, specially when you are a first-time director. Cast: Arvind Swamy, Himanshu Sharma, Ekavali Khanna, Aman Uppal, Bhavika Bhasin